Friday, August 10, 2012

Braving Brave: A Life of Cars and Crashes


By Kent Jestoni Q. Gabo

                I remember once when someone told me that life is like a car: you are the driver, you choose your destination. But on the case of Brave Angelo Bayoguin-Cayanong, or Bobby for those who know him, his life is a car, only he is not the one who is driving it.

                Brave knows a lot of cars, and he knows them well. Bugatti, Porsche, Chevrolet, Ferrari, Ford, you name it, Brave knows it. He is fascinated by how cars can take people like him to anywhere they want to. By saying anywhere, he believes that they can take him to a state of euphoria. But what he may not know is that cars can never rev its engine towards achieving one’s dream. Being from a family of meager means, he needs to do a sharp turn to continue to college. 

                His Uncle Toto, who is fueled with kindness and concern to his nephew, turned on the engine of opportunity. But help entails responsibility, and sometimes responsibility means compromising your own dreams. Brave’s greatest dream is to be a computer engineer, however, his steering wheel is held by Uncle Toto who wants him to become an educator. Compromising, he learned, only paves way to discovering new race tracks. Although pursuing his ultimate dream is a crash for now, he promises himself that he will once again revamp all his parts of courage and conviction, for a better horsepower will make the journey faster.

            I would want to compare Brave to a 2010 Mini Cooper, not showy, yet excellent in all aspects. Or to a Lorraine-Dietrich B3-6, which is famous for its near-silent engine. Either way, Brave’s speedometer usually reads 25 km/hr, for he speaks softly, walks idly and eats silently, yet, Brave has the strength of the mind comparable to the highest horsepower possible.

                As much as I would like him to be compared to these cars, Brave would like to insist that his life is a Lamborghini. What makes Brave and Lamborghini cars one is their uniqueness, sophistication and class. As slick as the Lamborghini is Brave’s manner, as fast as its speed is his personal development. This development has become more profound when he swerved to college, where he improved his attitude on dealing with people. Having said these, it is hard to argue.
                It might still be a long way to go. Brave might still be on the starting line to his long and dwindling race track to complete freedom, where he himself holds his own steering wheel. But what is important now is that he is enjoying the ride.

Thursday, June 28, 2012

A Cap and A Disney Movie

Childhood.

The time when life was not that complicated yet. When the only biggest problem I had was how to excuse from the class for I need to oblige to the call of nature. When play was defined as an act that needs great physical effort. When DOTA was really played on our school grounds (well, at least a resemblance of it, the tigso-tigso). When slippers were glorified as multifunctional inventions: as protection for the soles of the feet, and as implements for a dozen of laro ng lahi such as tumba lata, shakay, bahay-kubo and as stated earlier, tigso-tigso. But since I was frail as a child, my playmates would sometimes bestow upon me the most dishonoring title given on the child play's world, the bata-bulan. If you ask me the etymological significance of this label, I could not answer. What I'm sure about is that this is a simple euphemism of the hurtful remark no child would ever want to hear: "you're a loser".

 Because of our susceptibility as a child, we sometimes fear rejection that we resort to lying. Two of the lies I encountered during childhood were made for a cap and a compact disc of a Disney movie I owned. Both, on two different instances, were borrowed by two different classmates. And both were never returned to me again. The only difference is that the borrower of the cap had told me over and over for weeks that she just left the object at their place before finally admitting that she lost it. While the other one, made me believe on the same alibi as the former, but this time, weeks and months passed, she never returned the CD, until the thought was buried into oblivion. The problem was that the movie was a family property, and my siblings were puzzled as well with regard to its whereabouts, for I also have not told them that I let my classmate borrow it. So her lie became mine. Admittedly, this troubled me for months, unable to sleep well as I was devoured wholly by my conscience.

This is just part of being a child, for it is also the time when innocence and ignorance were symbiotically coexisting. I can fondly remember in grade five when my teacher  fervidly discussed about the human reproductive system, and how my classmates would give obscure remarks on what little they knew about sex. As innocent and ignorant as I was, I listened to those discussions objectively while some of my classmates chuckled within, and I participated on their conversations with absolutely zero idea on what their point was. Lessons on sexuality were grey, so we were made to color them the way we wanted to. And unfortunately, I was only given a grey crayon.

Maybe the funniest recollection I have of my childhood was in grade three, when I would lock my bedroom after having lunch and pretended to sleep. Part of the reason why I would not want to attend our afternoon session was I was so sick and tired of the Math drills just before our afternoon session, which I could not perfect. This was not my last bout with Math, for we had a round two in grade four, when I flunked in one of the major exams of the subject, gravely affecting my grade and, by extension, my class standing. I may forget all my memories in elementary, but never this one, when I sobbed nonstop as I listened to my teacher's self-pity-invoking litany of enlightenment. After this incidence, my Mamang, who never tarries to believe, bought me a multiplication chart and posted it on a wall in the living room. And every night, I was impelled to memorize the chart. Yes, drill again. The subject and I even had a rematch in grade four and five, when my teacher never believed that I will be better on the subject, even when I scored high on an MTAP competition. I knew I was dumb on the subject then, or at least that was what my teacher made me feel. Until came high school, which is another story.

If there would be a single most influential teacher who propelled me to take this career path, it would be my grade two teacher. Even though I have only bits of memory of her and how she taught us, what is important is how she made me feel. She made me believe that I can do more than what I think I could do. She knows the potential of her pupils, and cultivates it through words of sincerity and wisdom. And as I stepped higher and higher on my educational attainment, she was still there, encouraging, believing. Up until now, when she and my Mamang cross paths, she would still ask about me and how I am doing. And up until now, everytime I remember her, I can still feel that same feeling she made me feel, more than a decade ago. And it hurts to know that I failed her, as I feel I have not done, even just my best.

As I reckon all these now, I wonder if at present, how many teachers have borrowed that cap who, after keeping outdated teaching techniques with them for many years, have finally decided to admit to their nearsightedness and are now adapting the new trends of teaching, coloring their lessons with the appropriate hues. And how many have borrowed that Disney movie? How many, until now, are still making it appear that everything is fine with their methods, when in fact nothing is? How many will be affected by this domino-effect of a lie, who, to conceal the distorted views of those who borrowed, will continue their predecessor's malpractice? And most importantly, how many are my grade two teachers today who always believe of their students' full potential, and do we still have my Math teacher in our schools?

Unless we teachers reflect on these questions, the educational system in the country will continue to be a bata-bulan in the international scene, and what happened to the Disney movie disc will continue to be a mystery.

Sunday, June 24, 2012

An Insignia of a Rich Heritage

by Kent Jestoni Gabo

Amidst the busy streets, amidst the people of different tribes and cultures, amidst the reverberating sound of the city, there is resplendence.

At the heart of the pueblo of what we call Zamboanga today, there lies a century-old edifice that speaks of its people. The Zamboanga City Hall, with its flamboyant Hispanic architectural design, was constructed in 1905 and was completed two years after. This was the period when the Federal Government of the United States was in control of this “Sung Lupa” or Pointed Land, as the Subanen of old would call it. It was a sanctuary for the American Governors then, but what they did not know is that the hall has its higher purpose.

As a house for the city’s government then and now, the hall stood witness of the many events and circumstances that shaped this city. A lot of us may know Plaza Pershing, but only a few knows the man behind that name. General John J. Pershing, who, in a greater perspective, was an important personage during World War I, actually used to consider the edifice as his abode as he was the military commander of the Moro Province from 1909-1914.

Zamboanga City Hall further saw the rise and fall of the city’s mayors. Some left their mark on its pedestal, while others left mere fragments that still constitute to our Zamboanga. One notable mayor is Hon. Maria Clara Lobregat, who, during her administration, was akin to Zamboangeño culture and heritage that she would require city hall employees to wear Filipiniaña attire during Mondays. There was also Hon. Cesar Climaco, who was appropriately tough and during the martial law posted a “tally board” in front of the hall that contains a running tally list of unsolved potent crimes in the city.

We might not be seeing another mayor like Lobregat or Climaco. But Zamboanga City Hall will always be a reminder for us how these people molded Zamboanga. Zamboanga City Hall will be a constant reminder for us to continue the heritage and pride our forbears emanated. Zamboanga City Hall will still be a reminder of what it really takes to be called truly Zamboangeño.

Views on the Short Story "Other People" by Neil Gaiman

by Kent Jestoni Q. Gabo    

  “Time is fluid here.”

     The short started and ended with this assertive statement. But it is what is in between that we then fully comprehend its underlying meaning.

     On the outset, we are right away introduced to the setting: Hell. But this is no ordinary hell, for there is no eternal fire, only a smoking brazier and a room that is long and with objects hanging on the walls; we do not see a multitude of sinners, only a man, who was not named, and a demon. What we know about this man is that he wears expensive clothes, which strongly suggests that he has quite a fortune while he was alive. We also know that he had sinned by sleeping with his wife’s sister. What we know about the demon is that it appears to be thin and badly scarred. The two do not address each other by name, but with the pronoun “you”. This tells us that the two are not in a close relationship with each other. However, it can be said that the demon is more manipulative and superior over the man, for it, in an instance commanded him to “Come close,” and he unhesitantly did so. Furthermore, the demon is referred to as an “it”, very suggestive of its nature which is all humanity stripped out of it.

 We are then told what those hanging objects, two hundred and eleven of them, are for. They were used to physically torture him, but the demon told him that he will even remember this “with fondness”. This posted a disagreement from him, calling it a liar. And the demon disagrees, for the next part, is sevenfold more painful, for he was made to experience all his atrocities on earth, that later he hoped that the demon will just torture him again physically. As we can see, the effective use of speech acts drastically developed the story’s plot and significantly put the conflict to stage, by showing us, the readers, that indeed, physical torture don’t hold a candle against that of emotional and experiential nature.

      We felt the excruciating pain, the feeling of helplessness, the desire to make all the torment stop. These we felt through the ingenious description of the torture’s repetitiveness, with the demon saying “Again” every thousand of years; the manner of its execution, it was too painful that the “physical torture had been kinder”; dynamic actions which usually refer to mental agony such as when the demon “stripped away the cover of forgetfulness… and it hurt more than anything”; and the excessive use of descriptions (“It was like peeling an onion”). The use of specialized vocabulary, such as “Lazarene’s Daughter” added to the occult atmosphere.

      At the end of the story, we saw how his agony stopped and an unprecedented turn of events happened. The one who tortures now becomes the torturer, which is highly suggested by the few final acts, as a new man who wears expensive clothes enters the room, and right there and then he understood.

       The short effuses that of self-reflection. For time is fluid there. The profoundness of this statement is measured by its ability to baffle us in the beginning, yet enlighten us in the end. Time there flows, like a cycle, telling us that not all the time do we suffer. Even if we are living in a hellish world, there will come a time that the tables will turn.

Storyang Makabilar

by Kent Jestoni Q. Gabo

“Maot lagi ka Dong, nga gwapo man unta ang imong Papa.”

Nakuratan si Pondoy sa pagkapranka sa Papa ni Minda. Ikapila na niya naengkwentro ning lakiha, apan sama sa bala sa pusil nga nibuslot sa iyang dughan ang mga gipanlitok ani. Kabalo siyang maot siya. Kini gisilsil na sa iyang utok sa iyang magulang sukad pang bata sila.

”Aw, kul, maayo ako kay katingad-an, ang dagway sa imong dalaga kay di na ta matingalang maot, kay naliwat man sa imoha.”

Kini ang suwito nga tubag ni Pondoy, apan sa hunahuna lamang niya kini niundang ug wa’h na nidayon sa iyang baba kay baka mao pa ning hinungdan nga di siya sugtan sa hangyo niya sa tiguwang.

”To mats lab wel kel yu. Ep yo kant mek ap yor mayn.”

Sa dihang nikalit rag buto ang nagadagondong nga video singko sa duol rang imnanan nga nagpakurat sa unod sa duha nga nakaistorbo hinoon sa ilang lalom na kaayong gihisgotan. Ikalimang beses na ni gipatukar aning adlawa, ug sa karong puntoha nga dapit alas diyes sa buntag, nakaila dayon si Pondoy kinsa ang niarangkadag siyagit kauban sa pinakurog ug pinabundak nga tingog. Iya na pud ning kinakusgan ug buotang amahan nga wa’h nay laing hibaw-an kun dili mag-inom ug magtong-its.

“Tan-awa imong amahan Dong, gwapo na nindot pa ug tingog.  Asa na lang ka ibutang.”
“Nindot? Maluoy na lang ta. That’s rubbish and pathetic! He sounds like a cow mooing its way down from the 35th floor of a building!”

Feel kaayo ni Pondoy ang justice sa pagsuhid-suhid kay Simon Cowell nga iyang paboritong tighusga sa nag-inusarang palabas sa TV nga iyang ginasubaybayan. Kung ambi nimo kini wa’h na pud niya gilitok, sakto ka, kay ang natubag lamang niya kay “K.”

“Lagi ba. Nakapalit na ka atong bag-ong album ni Lady Gaga nga Born This Way? Nindot kaayo Dong. Nadownload nako ganiha lang sa itunes,” ang panghinambog sa kaistoryang Pondoy.

“Wa’h kul uy. Pero nakadownload ko ganiha sa Mediafire ug katong Christmas album ni Justin Bieber nga Under the Mistletoe. Nindot ba tong Home This Christmas kay featuring ang The Band Perry,” tubag ni Pondoy.

“Pagsure ba kay magbiko ta’g pink! Speaking of… Inday pamalengke kay magmerienda tag puto maya unya,” gitawag sa tiguwang ang iyang asawa nga sama ra sa usa ka katabang.

“WTF! e0w poWhz. eNdhi kUh paH vHa zaWha jUn? Ei wAn wIk nAh uS 8yt nG 8yt nYan,” pinataas ug kilay nga tubag sa jejemon nga baye uban sa daw gadulag angry birds nga pagteks sa iyang Nokia 3315 nga cellphone.
Walay laing naingon ang bana kun dili “K”. Nakahinomdom siya kalit nga naa man diay siya kaestoryang batan-on dinha sa ilang sala nga daw Magay lang sa kagubot ug kabaho. “Aw, Dong. Wah man ka nagtell, naa pa man diay ka dira.  Unsa gani balik to imong tuyo?“

“Aw, wah ra kul uy. Balik na lang ko ugma kay murag udto na man,” luya nga nitubag si Pondoy.
“Sure? Magluto ra ba akong asawa ug fish filet de el niño,“ dakong panghinambog sa tiguwang.
“Ok ra lagi kul uy. Baka nagluto pud tog bulad si Mamang. Sige na kul, maghinay hinay na ko ug aginod. Te, moadto sah ko.“

Nakadukong migawas si Pondoy sa purtahan. Kabalo siyang sa sunod adlaw moari na pud siyag balik aning balaya. Ug maskin kabalo siyang ang sunod mapareha ra sa mga niaging mga adlawa, mobalik ra gihapon siya. Ug sa ikaunom nga beses, naa na pud mipalahutay’g singgit sa duol nga videokehan ug ”To mats lab wel kel yu. Ep yo kant mek ap yor mayn.”

The Will of the River


By Alfredo Gonzales Jr.

BY MY WIFE’S ancestral home flows a river. For a dozen summers I have visited it, and almost every year I make an effort to trace its course back to its source in the neighboring hills; I do not consider my vacation there complete without doing this. In common with other streams of its kind, our river suffers much from the summer drought. I have seen it so shrunken that fish lay lifeless on the parched sand and gravel of its bed. But this past summer I saw something I had never seen before, though I know that if I had been sufficiently observant in other abnormally dry years, I am sure I could not have failed to notice the same thing earlier.

One morning last April, in company with a student friend and my elder son, I started out for the hill to spend the day by the rapids and cascades at a place called Intongasan. We followed the course of the river. After we had walked a kilometer or more, I saw that the river had disappeared and its bed was dry. I looked around in wonder because past our little country house below and out toward the sea half a mile or so farther down, the river was flowing clear and steady in its usual summer volume and depth. But where we stood at the moment there was no water to be seen. All about us the wide river bed was hot and dry.

We pursued our way on toward the hills, however, and walking another kilometer we saw the stream again, though it had spread itself so thin that it was lost at the edge of the waterless stretch of burning sand and stones. And yet, continuing our way into the hills, we found the river grow deeper and stronger than it was as it passed by our cottage.

To most people, I suppose, there is nothing strange or significant in this. Perhaps they have seen such a phenomenon more than once before. To me, however, it was a new experience and it impressed me like all new experiences. To me, it was not merely strange, it suggested a spiritual truth.

Flowing down from its cradle in the mountains just as it left the last foothills, the river had been checked by the long, forbidding stretch of scorching sand. I had read of other streams that upon encountering similar obstacles irretrievably lost themselves in sand or mud. But Bacong-because that is the name of our river-determined to reach the sea, tunneled its way, so to speak, under its sandy bed, of course choosing the harder and lower stratum beneath, until at last it appeared again, limpid and steady in its march to sea.

And then I thought of human life. I was reminded of many a life that stopped short of its great end just because it lacked the power of will to push through hindrances.

But I thought most of all of those who, like our river, met with almost insurmountable obstacles but undismayed continued their march, buried in obscurity perhaps but resolutely pushing their way to the sea, to their life’s goal. I thought of men like Galileo, who continued his work long after his sight had failed; of Beethoven, who composed his noblest and sublimest symphonies when he could no longer hear a single note; of Stevenson, who produced some of his greatest work after he was doomed to die of tuberculosis; and of Cecil Rhodes, who was sent to Africa to die of an incurable disease, but before he obeyed the summons carved out an Empire in the Dark Continent. These resolute and sublime souls all reminded me of what our river taught me-that if we cannot overcome obstacles, we can undercome them.

Another lesson I learned from Bacong is found in the fact that the river was not merely determined to flow just anywhere; it was determined to reach the sea, to reach the great end. Many streams manage to surmount barriers they meet along the way, but they come out of obstacles after much labor only to end in a foul and stagnant marsh or lake. How like so many human lives! How like so many people who, in the springtime of their youth and in the summer of their early manhood, showed splendid heroism against frowning odds, determined to overcome those hostile barriers, only in the autumn of their lives to end in defeat, disgrace, and remorse.

On the other hand, think of other lives that, like our river, kept their way even to the end of their course.

I believe it was on our way back from the hills that the lesson of faithfulness in the performance of one’s duty was forcefully suggested to me. The truth occurred to me that nature often fulfills her duty more faithfully than man does his.

And what is the duty of a river? It is to furnish safe running water for plant and fish and fowl and for man and beast. The river is not there just to flow on and enjoy itself. The river must play its part in the processes of nature; to live, in other words, for the rest of creation.

And so it should be with the life of man. It is not to be lived unto itself alone for its own joy and satisfaction but for others in glad and devoted ministry. How life and beauty and goodness, indeed, would perish from the world if man and nature should fail in their duty! If our river had not remained faithful to its duty, instead of a landscape picturesque with the varied green of the foliage of shrubs and trees and gay with the voices of the birds singing and calling to one another in the branches that April morning, there would have been spread before us a wide expanse of desolate and lifeless land, fit only for the wanderings of Cain.

For part of the ministering duty of a river is to flow on and on, otherwise be foul and unfit for use. There is music in running water. Bacong, by continuing its march to the sea, kept itself fit for the service of nature and man; and not only it expanded its field of usefulness.

And does this not suggest that the river of man’s life should be likewise? For if in the face of obstacles it lacks the strength of will to continue keeping itself fit to serve and seeking new opportunities for service, it will ultimately become useless to others.
15 As I marveled at the power of Bacong to push its way through such a seemingly impassable barrier, I discerned the secret-a secret that has a message for all of us. For Bacong was able to carry on, to continue its watery pilgrimage and reach the immensity and sublimity of the sea, only because its source is the vast and lofty mountains. Unless a stream draws its power from a source of sufficient height and magnitude, it cannot do as our river did this summer. It will not have the strength to cut its way through great obstacles and reach the sea at last. Here is one of the marvelous secrets of life, and how many have missed it! Verily, if a man derives his strength and inspiration from a low and feeble source, he will fail to “arrive.” Unless a man draw his power from some source of heavenly altitude, unless the stream of his life issues from a never-failing source, unless, in other words, his soul is fed from heights of infinite power, he may well fear that he will not reach the sea. But if his spirit is impelled and nourished by an inexhaustible power he will in spite of all obstructions, finish his course, if not in the glory of dazzling achievement, at least in the nobility of a completed task faithfully done.